This post is one of a 2-part series of free basic music theory lessons on my blog, musictheoryde-mystified.com. You can see the complete list here. Please feel welcome to make a comment or ask a question.
Note Length
In 3. Beats, Tempo And Timing we saw that the length of a note is counted in beats, and that the length of a beat is determined by the tempo. For instance, when the tempo is 60 bpm (beats per minute), 1 beat is 1 second long: for a tempo of 120 bpm, 1 beat is 1/2 second long. Notes can be any length, from a number of beats to a fraction of a beat.
Note Values
Although we count in beats, not all notes are a beat, or even a whole number of beats, in length. Some are longer, some shorter.
The symbols for note length are called note values. How we interpret these symbols depends on the time signature. Time signatures are a subject for a later post, but let me say for now that the most popular time signature, common time, as well as several others, use the crotchet (quarter note) to represent one beat. For the rest of this post I will refer to a crotchet as 1 beat.
Tempo markings often include the note value which represents 1 beat. When a crotchet = 1 beat, a tempo of 60 bpm is indicated as follows:
60 crotchet beats per minute
Funny Names
There is both an English and an American name for each note value. The American name is a fraction based on a whole note equaling the number 1 (1 = whole). The next shorter shorter note is half its length and is called a half note, etc. The “1” refers to 1 bar in the most common time signature of all, 4/4, which has 4 beats per bar.
The English names are old-fashioned names meaning various degrees of “short”, harking back to the original Medieval runes and the gradual evolution of note symbols since.
On the whole I will be using the English names to avoid confusion between a half note and half a beat, etc. However, I recommend learning the American names as well: note values as fractions are the key to interpreting time signatures. In the table below, I have listed both names.
Table of Note Values
The following table lists the most common note values from longest to shortest. The “Usual Length” column shows the length in beats in common time.
Regardless of time signature, the note values are always proportional to each other. Each note value in the table always equals two of the note value below it. A semibreve = 2 minims, a minim = 2 crotchets etc.
The longest note value is called a semibreve because originally there was an even longer note, the breve. The breve is seldom used these days because, at 8 beats long, most time signatures don’t have bars long enough to be able to fit a breve within a bar.
Don’t be daunted by all these symbols. Just focus on the note values that are 1 beat or longer to start with; the ones bordered in green. It’s much easier to add beats together to play longer notes than to divide a beat into halves or quarters. Later you can include quavers, and eventually, semiquavers. Demisemiquavers are much less common.
Stem direction
All but the longest note values have a stem. The stems in the above tables are shown as extending upward from the notehead.
In 2. Notes On a Stave: Pitch we saw that on a stave, the stem’s position and direction depends on where the notehead sits on the stave.
- Notes which are on or above the middle line of the stave have their stems on the left of the notehead, extending down.
- Notes below the middle line of the stave have their stems on the right of the notehead, extending up.
Tails and beams are always at the outer end of the stem.
Tails and Beams
Notes shorter than a crotchet have a tail. The shorter the note, the more lines make up the tail. When there are several short notes in succession, their tails are joined together to form a beam. Beams generally join the notes in 1-beat groups such as 2 quavers, 4 semiquavers etc. This allows us to see which notes are on the beats, making the music easier to follow. It’s also a cleaner, less cluttered look.
The exception is quavers/ eighth notes, which can be joined together in one-, two- or even three-beat groups.
Below is an example of the different note values, with the shorter notes beamed in groups. In this example the quavers are beamed in groups of 2 beats (4 quavers).
The vertical lines, called barlines, occur every 4 beats, as in the time signature 4/4. In 4/4, a semibreve lasts for 1 bar.
As you listen, you will hear a metronome tick at 80 bpm and repeated notes of the different note values played over it. The use of different note pitches is just for listening convenience.
Notice that the demisemiquavers have only their outer tail beamed in whole beats: the inner tails are beamed in half-beats. This is a popular convention for an even cleaner look but not necessary. Some publishers beam all demisemiquaver tails in whole beats.
Dotted Notes
A note can be any length. For example, we may want a note to last for 3 beats rather than 2 or 4 beats. One option is to use a dotted note.
Each note value can have a dot beside it, to the right. The dot adds half the length of the note value: the dotted note is one and a half times the length of the note without the dot. Effectively, the dot represents the note value directly below the note in the note value table above. For example, a dotted minim (3 beats) = a minim (2 beats) plus a crotchet (1 beat).
The best way to get used to note values is to try to play some written music; notation means nothing until you try to play what you see. Start with something simple such as a children’s song or a melody that you’re very familiar with. If that seems too difficult, please visit my earlier post, 3. Beats, Tempo and Timing, which has some simple timing exercises that might provide a good starting point.
For more, see 7. Rest Values, How To Count Rests. In upcoming posts I hope to provide more information on note length, time signatures and rhythm.
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The movie is taken from Music Theory De-mystified, my upcoming music theory e-book, due to be released in 2023.
NEXT LESSON: 6. Time Signatures 1 – Simple Time
PART 1 CONTENTS: Basic Music Theory Course Contents
