Tag: minor triad

Basic Music Theory Part 2: Course Outline

Description

This course is part 2 of a two-part course in basic music theory and includes elements of notation and musicianship.

Part 2 is made up of 21 lessons of about 30 minutes duration. This amounts to one semester at one lesson per week or a 6-week course at one lesson every two days.

Although each lesson is self-contained, the lessons are designed to run in numerical order.

Lessons are grouped in modules of just a few lessons. You don’t need to commit to the full course; just work though one module at a time.

Requirements

Part 2 assumes that you have completed Part 1 of this course or have an equivalent understanding of the following:

  • basic music notation
  • counting in bars and beats
  • simple time
  • scales, keys and key signatures
  • major, minor and perfect intervals 

Although Part 2 includes music notation, like Part 1, musicians who play by ear are well catered for with plenty of audio, video, text and illustrations.

Recommended Additional Resources 

This is primarily a music theory course. The notation exercises included are far from comprehensive and may be supplemented by music reading, beginner music theory workbooks and transcription exercises.

The musicianship/ear training exercises in this course are also far from comprehensive. I have focused on the most generally useful skills for this course. There are a number of dedicated musicianship courses available to further develop these skills.

Outcomes

An Understanding Of The Following Musical Concepts

  • Syncopation in simple time
  • Compound time
  • Triplets in simple time
  • Swing notation
  • Anacrusis (upbeat)
  • Harmonic minor scale
  • Melodic minor scale
  • Augmented and diminished intervals
  • Inversion of intervals
  • Major and minor triads
  • Modal (open/power) chords
  • Inversions of triads
  • Doubling
  • Relative chord names
  • The chords of the major scale
  • Dominant 7th chords

Musicianship Skills

  • Tap or play syncopated rhythms in simple time down to semiquavers
  • Tap or play simple rhythms in compound time down to semiquavers
  • Count in for an anacrusis
  • Sing major and minor triads in all inversions
  • Recognise and name major and minor triads in all inversions
  • Recognise notes that belong to a major or minor chord and sing them in your octave

Notation

  • Triplets
  • Time signatures in compound time
  • Swing notation
  • Octave up/down
  • Anacrusis 
  • Basic chord symbols 
  • Relative chord names and symbols

START HERE

PART 2 CONTENTS

B16. Listen And Sing: Learn To Sing Major And Minor Triads

This post is one of a 2-part series of free basic music theory lessons on my blog, musictheoryde-mystified.com. You can see the complete list here. Please feel welcome to make a comment or ask a question.

How To Sing A Major Triad

To get started, sing a major scale with the chord notes long and strong and the notes in between quick and quiet.

The scale notes between the notes of the triad are called passing notes. Gradually weaken the passing notes until you’re just singing the chord notes as a triad in root position.

Inversions Of Major Triads

Now practise singing major triads in each inversion. As you sing, try to hear and feel the root note when you sing it. To help, you can accent the root note slightly as you sing.

The examples below include passing notes in the first bar, as a listening cue. Sing the second bar while you listen to the first bar.

Root position

1st inversion

2nd inversion

Once you’re familiar with these, try them in different keys (starting on different notes).

A Quick Way To Find the Root Note of a Major or Minor Triad

  • In 1st and 2nd inversion there is a perfect 4th between two of the notes. The root note is the higher of these two notes.
  • If there is no perfect 4th the triad is in root position (the root note is the lowest note of the triad).

Minor Triads

Now let’s learn minor triads. Here are three methods you can choose from:

  1. Sing a natural minor scale as above, emphasising the triad notes.
  1. The melodic minor ascending might be easier to sing than the natural minor. Since we’re only after the 1st, 3rd and 5th notes, it’s your choice: sing the minor you’re most familiar with.

For both methods, gradually weaken the passing notes until you’re just singing the triad.

  1. You can skip the minor scale altogether and go straight for the triad. The only difference between a major and a minor triad is the 3rd, which is flattened compared to the major 3rd (1 semitone lower than the major 3rd).

Whichever method you use, once you can sing the triad in root position, practice singing each inversion.

The examples below include the passing notes in the first bar, as a listening cue. Sing the second bar while you listen to the first bar.

Root position

For 1st and 2nd inversion I have included passing notes for both natural and melodic minor. Choose your preference.

Ist inversion

2nd inversion

Once you’re familiar with these, try them in different keys.

If you found this post helpful, please feel welcome to like, share or leave a comment. If you have any questions, leave them as a comment and I’ll respond as soon as I can. To stay up to date with new posts, please subscribe.

NEXT LESSON: B17. Chord Voicing: Doubling And Note Distribution

PART 2 CONTENTS: Basic Music Theory Course Contents