This post is one of a 2-part series of free basic music theory lessons on my blog, musictheoryde-mystified.com. You can see the complete list here. Please feel welcome to make a comment or ask a question.
If note names mean nothing to you, start here…
In my posts:
- A PIECE is any musical work.
- A PART is one instrument’s component of a piece.
- An ENSEMBLE is any combination of instruments collaborating to perform a piece, be it one person singing and playing, a band, choir or orchestra.
Note names
Most musicians are familiar with the note names A to G. After G comes A again and the pattern continues repeating from the lowest pitches to the highest.
A B C D E F G A B C etc.
Over the audible pitch range there are many A’s, many B’s and so on.
From one A to the next is an octave, as is from any letter to the next instance of the same letter.
Octaves
Notes which are an octave (or several octaves) apart enjoy a special relationship. When played together, the higher note blends in to the lower note. If they’re perfectly in tune (that’s for a later post), the higher note blends in so well that it almost merges inside the lower note. Even when played one after the other, what we hear sounds more like a change in register (or voice) than a different note.
Try this on your instrument. If you can play two notes at once or play one and sing the other, the effect will be the clearest, but you can still tell by playing one after the other.
Now try combinations of two different notes, such as A and G or A and C. None feel as closely connected as when they’re an octave apart (or a unison; two notes of exactly the same pitch).
In musical terms, in an ensemble, any part can be played an octave higher or lower without clashing with the other parts. All chords or harmonies will still fit. It is because of this relationship that notes which are octaves apart can, and do, share the same note name.
Intervals
The difference in pitch between one note and another is called an interval. A to the next A, an octave, is an interval, A to G is an interval, F to C is an interval.
Intervals can be measured in octaves and semitones. Each octave is divided into 12 musically equal intervals called semitones. This gives us 12 different notes, the 13th being an octave. The semitone is the centimetre (or inch) of pitch.
- On a piano, 1 semitone is the interval between consecutive keys, regardless of the key’s colour.
- On a guitar, 1 semitone is the interval from one fret to the next (or from an open string to the first fret).
We started with the letters A to G, followed by A etc. that’s 7 letters, the 8th being the octave of the first (as it happens, octave means 8th). So how do 7 letters add up to 12 semitones?
Not all letters are 1 semitone apart: in fact, most are 2 semitones apart. This is how the letters are spaced:
A . B C . D . E F . G . A
2 1 2 2 1 2 2 = 12
This means that 5 of the 12 different notes (per octave), the ones represented here by dots, have no name.
On a piano keyboard, all the named notes are white keys. You can see when two white keys are 2 semitones apart because there is a black key to represent the so far un-named note between them.
On a guitar, you can find the named notes by starting on an open string, then following the above pattern by skipping a fret for every 2-semitone interval. The dots above represent the frets you skip.
The named notes are called naturals. The un-named notes can be described as being 1 semitone higher or 1 semitone lower than the nearest natural.
Sharps and flats
Any natural can be raised by 1 semitone by adding the sharp symbol, #.
Any natural can be lowered by 1 semitone by adding the flat symbol, b.
For instance, the note between A and B could be called A# (A plus 1 semitone) or Bb (B minus 1 semitone).
This may seem confusing: we’ve gone from having no names for some notes to having two names. Fear not. For now, either name will do. The most common note names in general terms are:
A Bb B C C# D Eb E F F# G G# or Ab
Once we look at the notes in the context of a piece of music, the choice of note names will matter but by then it will be quite obvious which names to use. The correct note names for a piece are based on its key, a subject for a future post.
The graphic below shows how any natural can be raised by 1 semitone by adding a sharp or lowered by 1 semitone by adding a flat, resulting in two possible note names for most notes. Notice that even some of the naturals have an alternate name, although their use is relatively uncommon in most keys.
In my next basic post we will look at how note pitches are written on a stave.
Try These…
How many semitones between the following pairs of notes? (count up from the first note until you reach the second note of the pair):
- A to C
- A to C#
- A to E
- A to G
- Bb to F
- B to F
- C to A
- C# to A
- D to Bb
Answers at the end of this post.
This post is one of a growing series of free basic music theory lessons on my blog, musictheoryde-mystified.com. You can see the complete list here.
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NEXT LESSON: 2. Notes on a Stave: Pitch
PART 1 CONTENTS: Basic Music Theory Course Contents
Answers to Try These…
- A to C = 3 semitones
- A to C# = 4 semitones
- A to E = 7 semitones
- A to G = 10 semitones
- Bb to F = 7 semitones
- B to F = 6 semitones
- C to A = 9 semitones
- C# to A = 8 semitones
- D to Bb = 8 semitones